history

Asymmetric Study: Odin as Proxy Satan

With missionary zeal Christians trekked across Europe seeking to convert pagan peoples with vigor in the first centuries of the last millennium. Some Christian missionaries of Europe in efforts to  expand the flock, without inciting absorbed peoples, seemed to embrace conversion with syncretic results by selectively incorporating pagan elements. This adaptation of earlier pagan traditions meant a more accessible monotheism for the peoples of Europe. However, the same rich pagan connective tissue of European syncretism became the building blocks for demonization of gods.

In a letter from Gregory I to Abbott Mellitus, the pontiff recommended the missionary and his brethren adopt a softer approach when converting pagans in England. Gregory believed missionaries like Mellitus should not destroy the pagan temples they encounter but simply remove the pagan gods and sanctify the old space in the name of God.  Later in that same letter, Gregory endorses a sacrifice of an oxen as part of a religious feast,” They will sacrifice and eat the animals not any more as an offering to the devil, but for the glory of God to whom, as the giver of all things, they will give thanks for having been satiated…Thus, if they are not deprived of all exterior joys, they will more easily taste the interior ones.”  In Gregory’s own words the act of eating and drinking, already ritualized by the church with the concept of the transubstantiation of the Eucharist, was a sure way to win over pagan converts by embracing parts of their ritual feasting traditions.

 During the conversion period, Nordic pagan feasts featuring animal sacrifice and ritual drinking designed to honor the gods continued but ultimately took on a decidedly Christian purpose. Snorri Sturluson’s Heimskringla: History of the Kings of Norway describes one such instance, “Odin’s toast was to be drunk first- that was for victory and power to the king- then Njordor’s and Freya, for good harvest and peace.” Ritual consumption of libations shifted from pagan to Christian, exemplified by Norwegian Gulaþing laws from the period of King Håkon in the tenth century where Christ and Mary were thanked for abundance and peace instead of Odin and Freya.

 If there is a single figure in paganism that so dramatically and liberally linked to the devil during the Middle Ages it is Odin.  Tried in Stockholm, Ragvald Odinskarl was accused of  robbing four Swedish churches in 1484. Importantly, records claimed that Ragvald Odinskarl had confessed to serving Odin for seven years. Linking the familiar name of Odin to the sacrilegious act of robbing  a church was no mistake. Who else would coax man into defiling or thieving from a church, but Satan. It was clear to the cosmopolitan population of Stockholm that Satan worked through the old ways.  An example of charm magic connected to the now demonic Odin was a thief finding runestick dating from the late 14th century invoking Odin’s name, as the “greatest among devils.” And throughout the period the chief of the Norse pantheon is known as “the devil Odin.”

Odin as tempter of sin in Christianized 15th century Sweden was furthered by the trial and execution of Erick Clauesson. The servant to a property owner, Clauesson was said to have renounced God and “all his servants” over nine Thursday nights. During those nights Clauesson became a servant of the devil, Odin, in order to gain riches. Convicted of the thefts and burned, Clauesson became a contemporary of Odinskarl in apostasy.

Like the examples of ecclesiastical disbelief in witchcraft, we see the idea of a monolithic approach to conversion of European pagans is far from absolute or unified. Yet when conversion was achieved, the old ways became the ways of Satan and a sure way to spiritual ruin or death.


The following is an excerpt from a personal paper on Witchcraft and Charm Magic. © Copyright site content Asymmetric Creativity/Kevin Cooney (asymmetriccreativity.wordpress.com) 2014-. All rights reserved. Text may not be used without explicit permission.

Witchcraft: Centuries of Dissenting Views

blasphModern popular perception of witchcraft is almost entirely informed through popular culture, from The Crucible and Bewitched, to Charmed or WGN America’s Salem. To ferret fact from fiction, to understand the roots of America’s witchcraft hysteria, takes up volumes and is continually being reinterpreted by authors and academics. Yet if we look back at the debate on the validity of witchecraft we find some dramatically differing opinions: from pragmatic or dismissive, to the violently merciless.

Burchard, Bishop of Worms, handled beliefs that witches were all around acting with malice as lingering superstitions remedied by penance detailed in his widely distributed 10th century work, The Corrector. In it Burchard hypothetically questions the faithful by asking if they had consulted a magician or recited incantations over medicinal herbs. The remedies to these sins and other sins were variations on penance and fasting over a few days or up to seven years; a stark contrast to later beliefs that witchcraft was Satan’s direct manipulation of humanity and needed to be dealt with swiftly and without mercy.

Interestingly, Burchard delivers a penance for those who accept witches, “Do you believe that there are women who, like the one people call Holda, ride by night on special animals in the company of devils which have been changed into women, as some people— deceived by the Devil— believe? If you do so believe, you should do penance on the appointed days for a whole year.”

An early image of the witch in air speeding to a conjugal visit with Satan was dismissed as misguided spiritual activity according to the 10th century’s Canon Episcopi. When describing the strange image, compiler Regino of Prum wonders, “Who is so stupid and foolish as to think that all these things which are only done in spirit happen in the body.”

The roots of the witches sabbat has its roots in the pagan past of Europe, in particular the idea of the Wild Hunt. In the Wild Hunt, Odin led an army of supernatural hunters or magical beings through the night sky in a tempest of action. Segue to post-conversion; the Wild Hunt becomes a demonic onslaught and a perfect model for a witch’s nightly ride to commune with Satan.

Some 500 years after Canon Episcopi the image of the sabbat as a Satanic orgy is real to Pierre de Lancre who, after putting 80 women to the torch, assembles a 200 page description of the sabbat. DeLancre believes women take flight nocturnally, assemble in numbers as large as 12,000, to meet the devil who they would greet with a osculum infame, before detailing their malefice, feast on babies before dancing naked and copulate with the three-horned goat that was Satan.

In 1486’s Malleus Maleficarum, Dominican inquisitors Heinrich Kramer and Jacob Spranger declare not believing in witches alone is heretical, “Whether the belief that there are such beings as witches is so essential a part of the Catholic faith that obstinately to maintain the opposite opinion manifestly savours of heresy.”

The deeply misogynistic work from Kramer and Spranger (which I will cover in a future post) essentially created a threat where there was none. Kramer and Spranger positioned themselves as unsurpassed witch prosecutors after leading 50 witchcraft executions in Germany. As they met a variety of resistence from communities and political leadership, the two men received a Papal bull from Innocent VIII. Calculating, Kramer and Sprenger attached the Bull to the front of Malleus Maleficarum, effectively sanctioning their writings and remedies for ridding Europe of Satan’s servants, witches.

 

Portions of the following post come from a paper I wrote two years ago for a Witchcraft and Charm Magic class.

Asymmetric Inspiration: In Search Of

If you are a child of the 70s, you know the original theme song (above,) eerie scene music and deadpan narration of Leonard Nimoy for the television program In Search Of. Before YouTube conspiracy videos. Before History Channel’s flock of Ancient Aliens and odd docudrama, there was In Search Of. This television program, which I believed I watched on a UHF station here in Boston, was immensely influential on my intellectual curiosity and possibly the cornerstone of my creativity.

With Nimoy’s introduction and cool, intense narration of investigative stories on Loch Ness, UFOs, Atlantis and phantasmagoria, In Search Of (ISO) executed a tightrope walk between plausibility and wild speculation. In the parlance of gymnastics, each week it ‘stuck the landing’ by piquing your interest and making you wonder…what else is out there? What made ISO different from modern cable strange tales and pseudo-documentaries was its unashamed reenactments and embrace of open conjecture. Within each opening montage, narrated over images of UFOs and Stonehenge, was the following statement, “This series presents information based in part on theory and conjecture. The producer’s purpose is to suggest some possible explanations, but not necessarily the only ones, to the mysteries we will examine.”

Modern ancient conspiracy television series don’t embrace conjecture. Instead they assume an aggressive and belligerent posture. ISO was entertaining, spooky, and strange, never angry, arrogant or sanctimonious. My youthful brain bathed in a new oddity each week. From crystal skulls, aliens, Amelia Earhart, and Bermuda Triangle, ISO asked weird questions about weird problems. The circuit board of my curiosity was being soldered and wired with intense diversity by a program which I look back on with fondness.

In Search Of explains, perhaps better than any other influence, my odd and diverse interests. It opened my eyes as a child to a process of discovery that was decidedly unconventional. Today, I may not be convinced Bigfoot roams the Pacific Northwest, but I can read or hear or see something tiny or odd in a vast environment or work and immediately seek out the who-what-where-when of this footnote to a larger story. These footnotes in history, speculative or academic, inspired me to write short stories of monsters, or explore the origins of religious faith, or the incomprehensible questions of science. In Search Of, set the unconventional curiosity that would become my new mantra, Asymmetric Creativity.